Egonon seem to be able to throw nearly every instrument at their disposal into the mix, engage in frequent changes in tempo and time signature and fairly leap from one style to another but still succeed in keeping the music sounding seamless and involving. Although prog rock may not receive the same recognition today that it did in its prime, Italy is one place where the progressive tradition still holds strong. Without much hesitation, I believe that this recording, although using a completely moder Just as progressive music in general has enjoyed somewhat of a resurgence over the last 10 years so has the RPI scene and there is now a steady flow of new RPI releases. Guitars usher in the heavier rock sounds, which fall away when the emotional soft vocals begin. The band continues in the grand Italian tradition of incorporating Mediterranean including Middle Eastern influences, sounds, melodies, and instruments into their songs--besides the normal rock staples, we hear mellotron, cello, sax, trumpet, flugelhorn, oud, sitar, sarangi, and darbuka.
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Guitars usher in the heavier rock sounds, which fall away when the emotional soft vocals begin.
Risveglio - Egonon | Songs, Reviews, Credits | AllMusic
Login Create a Profile. The following vocal section is one of my favorites on the album: I love a good prog album. Frippoid guitar adds zest and zing to it all, culminating in angry howling vocals that rage and fulminate.
Sul Lato Caldo Della Strada 3: Vocals arrive as it settles back. Interesting pause near the five minute mark.
EGONON – RISVEGLIO
Although prog rock may not receive the same recognition today that it did in its prime, Italy is one place where the progressive tradition still holds strong. Recommended to all for the unusual experience each will take away, but I would not call this an essential addition to any prog lover's collection. It hits your darkest parts soundly and lifts them up to the sky sublimated.
It's building with horns. To give the reader an idea of what is on offer I can try and make comparisons with other music but it's rather difficult to make any solid associations because as soon as Egonon start to remotely sound like someone else they tend to change tack completely. The laugh at the end says it all--and I couldn't agree more. But, then, neither is Larks Tongue-era KC. It is very consistent throughout with not one dud or filler.
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EGONON Risveglio reviews
I grew up with grunge, study middle Brit jazz- rockers Nucleus gone heavy and Italian! I'll be digesting this since you speak so highly of it.
And no matter what, I'm sure you penned a quality review as usual.
Your second riisveglio doesn't work anymore question of royalties apparently. Here we can listen again to sax, plus a wonderful viola, as well as the conventional instruments.
Jethro42 April 23rd Comments. I am probably of this latter category: Suffice to say, there are few albums out there where a listener is treated to grungy alt rock and Arabic folk music within the same disc.
Risveglio CD Baby A quality review looks always impressive for the francophone I am. I like the clarinet that comes and goes. Electric guitars backed by mellotron again fill the background. You have to be logged in to post a comment.
It settles again before 4 minutes. I'm gonna read your review soon. Gorgeous acoustic guitars and mellotrons enter to set up alternating channel lead vocals. Just as progressive music in general has enjoyed somewhat of a resurgence over the last 10 years so has the RPI scene and there is now a steady flow of new RPI releases.
It is open and spacious with each instrument easily identifiable in the mix but there is also a warm, intimate feel to the overall sound. Its companion piece the deeply disturbing "Tutto Cio che avevo era un'anima " just kicks it up a notch, as the mighty mellotron again plays a major in role in elevating the emotions to near unbearable heights, juicily added at appropriate moments and wholly unexpected within the course of the dissonant madness expressed.
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